Tuesday 17 May 2011

Essay 1.

Explain why the idea of 'postmodernism' might be considered controversial?

Postmodernism is difficult to define, because to define it would go against the rules of post modernity; that no definite terms, boundaries, or absolute truths exist. Postmodernism is a concept that is applied in media texts where audiences are now prepared to accept a media text may not be true to reality, and the techniques used to make this departure from realism. Postmodernism is a label given to texts that question the boundaries, self reflexivity, irony and the constructs of that media. When one is to question, "is that right?" and then postmodernism to reply with "what is right and what is wrong"

Postmodernism can be questioned as controversial due to the boundaries postmodernism breach. An example of this would be one of the texts i have studied, Kick-Ass. Kick-Ass is a movie based on a graphic novel (comic book) where a average joe teenager believes you don't need super powers to be a super hero, straight away you can argue that, yes you do need super power else you're going to go into a situation and come off hurt or dead without a super power. Kick-Ass is a postmodern film due to its inter textual references to other media texts, they include; spider man, superman and batman etc. We can see these inter textual references throughout the film, Big daddy looking similar to Batman, the opening scene with the music and introduction same as Superman and the street Kick-ass lives on is similar to spider mans street. The most obvious controversial point of the film Kick-ass is Hit girl. Hit girl is a young girl, 12/13 who is Big daddy's daughter and partner in cutting down in crime within New York, as if that was not controversial enough, a young girl fighting bad people who have possession of guns, Hit girl also swears a lot, including the words 'Fuck' and 'Cunts' along side other swear words, Therefore blurring the boundaries. Critics questioned whether it was acceptable for a young girl to be using such words and violence within the movie, saying it was not right, whereas others liked how it blurred the line of what is right and what is not right. In addition Hit girl is considered to come under as a binary opposite in the scene where she saves the male hero's, stereotypically, it is usually the male cast members who come off as the hero's and save the day, however in this movie Hit Girl is the true hero who saves lives, a young girl who should still be being taught at school, instead she is roaming the streets for bad guys.

Inglourious Basterds is another text i have studied that falls into the topic of postmodernism. Inglourious Basterds is a film that blurs the boundaries of reality and hyper reality, the obvious example of this is the way Hitler is killed in the movie, in reality, Hitler committed suicide because he had realised defeat in the war, whereas the hyper reality in the film, Hitler is killed by some American Jews, which in it self is controversial because one of Hitlers 'policies' was that all jews were bad and they were therefore murdered, in addition it makes Americans look like the heroes and the whole story as a fairytale because it is not what truly happened. Inglourious Basterds has numerous postmodern elements within the film, whether it be having a film within the film (need to find inner film name here) or whether it be that Quentin Tarantino, the director shows part of the set to remind the audience that they are in fact watching a film and that it is hyper reality and not reality, starting to be common throughout films.
During the film First Lieutenant Aldo Raine (Brad Pitt) asks of his team to bring back at the end of the mission, 100 nazi scalps which signifys killing of the nazis as a sport to them, to an audience can be deemed as over the top and a bit too much, but it can connote the hatred towards the nazi's and what they stood for.

Recently i have studied how postmodernism can be within the music industry, and i have learned that it has had a massive impact on the music industry, whether it be people releasing a wider variety of stuff due to the wider range of audiences or the music videos being released becomming more simpler. A good example of artists like this would be Lady Gaga and Kanye west, both somewhat postmodern in there music and the music videos and in fact their lives. Lady gaga has gone from releaseing music about the paparazzi and dressing up in all meat, whether it is to get across a message or to just be different. Kanye west has incorporated postmodern elements within his work and using different technology to make his music, an example of this would be when he uses a sampler in the 'Runaway' song, where he puts already created samples of words onto the sampler and when he presses a specfic key it would do that sound/word, creating the sound there and then by just repeating the samples.
With more people not caring what is cool and uncool, therefore the death of uncool being abanised due to everyone having there own specific likings and sound, people are open to a wider range of music, which therefore opens the artists and opportunity to new sounds and artists to break through, in addition creating even more genres within genres. in addition improving the music industry.

In conclusion Postmodernism can be considered controversial due to it blurring the boundaries of reality and hyper reality, however with people considering postmodern as controversial, postmodernism is therefore being successful by making them think whether it is or is not, because they are then questioning texts and thinking even further into the media texts, considering the inter textuality, hyper reality and the blurring of boundaries.

Tuesday 12 April 2011

Pow - Not Safe For Work (mixtape)


1. Run DMC - It's Tricky
2. Various Artists - Pokemon Theme
3. Will Smith - Miami
4. Ace of Base - All That she Wants
5. DJ Alice - Better off Alone
6. OPM - Heaven is a Halfpipe
7. The Strokes - Someday
8. The Strokes - Last Night
9. Joshua Radin - Closer
10. Air Traffic - Shooting Star
11. The Fray - Look after You
12. Snow Patrol - Chasing Cars
13. Joseph Arthur - Honey and the Moon
14. Chris Brown - Crawl
15. Kanye West - Stronger
16. Chris Brown feat. Tyga - Holla At Me
17. Chris Brown feat. Wiz Khalifa - Bomb
18.Chris Brown - Yeah 3x
19. Kanye West - Blame Game
20. Kanye West - Hell of a Life

Tracks 1-6/7/8 are my younger days
Tracks 9-13 are my relaxed days
Tracks 14-20 are my nowadays

From the track listing you can see how my music has varied and changed throughout the years, and how music it self has changed.

I made the Album art by getting the bart image, duplicating it, and swapping it around. I used Pow, from a google image, as Pow is in my name (Powis) then i wanted the surrounding to be black, but half way through with the paint tool i thought the graffiti look suits bart. I didn't know what to call it so i just called it "Not Safe For Work" due to some of the songs having swear words in them.

influences for my mixtape

Monday 4 April 2011

The Death of Uncool

My iPhone Shuffle first 10 songs

Jamie T - The Man's Machine
Eminem - Cinderella Man
Cee-lo Green - Open Happiness
The Fray - Over my Head
Hurts - All i want for Chirstmas is New Years Day
Diddy Dirty Money - Coming Home feat. Skylar Grey
Mika - By the Time
Katy Perry - Who am I Living for?
Metro Station - Disco
Mumford & Sons - I gave You All

Wednesday 23 March 2011

Postmodern & Music

The postmodern sensibility that anything can be considered cool in an ironic ‘I know it’s bad, but it’s so bad it’s good’ way.

 Jedward became a nations disaster when they sailed through the stages of X factor, at the start everybody hated them, however by the end of the show, people liked them because they were so bad and they knew people hated them it actually made people think twice about hating them.

Work that is created based (entirely or in part) on older material. This incorporates sampling and will take you from the realms of hip hop culture transporting you finally in today’s modern fragmented musical landscape. You will have to listen to some of the artists to fully appreciate them and their work.


Audiences that are both niche and mainstream. E.g.: Radio 1, 1xtra, BBC6, XFM.
Radio 1's audience is wider than say BBC6 however they both become similar when Radio 1's shows become a niche show where they focus on one type of music, usually shows in the evening for Radio 1, because during the day the shows are mainsteam shows and attract all audiences due to the range of music played.
The ways in which people engage and listen to music e.g.: iPod, DAB, mobile phones etc.
The way people engage in music today has not just improved the way music is listened to but also how the music is created. A Few years ago music would be produced so that you hear elements of the song in one headphone and another element in the other headphone, whereas today most music is focused on the centred headphones so the music meets in the middle.
With devices being made like iPods, Mp3's and phones being able to play music, it has made listening to music anytime and anywhere even more easier. I believe there is not a day where someone in the world does not hear some sort of music. Music doesn't have to be sold and viral, it can be anything from birds chirping to a baby crying, as Timbaland (famous producer) uses in some of his songs, the natural sound to create music.
The legal issues surrounding sampling. (Led Zeppelin ‘borrowed’ heavily from old bluesmen and it took years for the songwriters to be credited and paid royalties. The same group took a hard-line stance initially to be sampled by hip hop groups.)

With music devices being created, music today is mostly purchased online and are file copy's instead of hard copied discs and vinyls, this has made purchasing and getting hold of music a lot easier, however has also allowed illegal downloading and sharing of music across the globe. With music being illegally downloaded, the record label and the artist(s) are missing out on profits, and their are many campaigns to go hard on illegal downloading, however it's such a mainstream thing to do these days it is hard to get everyone.
Today you can get held of music before it has even been released and this is due to illegal downloading, Albums are pushed forward of the release date because record labels want to get an income, and if the album is already available online and is free, nobody is going to wait the extra 2 months for the album to be released just to get it in a case and then import onto the computer which then goes onto your music device when you can download the album as a file and it can be on your music device in minutes.

The state of the music industry incorporating any recent developments that change how we access/ interact with music e.g.: Spotify, X Factor, iTunes, illegal downloading, free cds with newspapers etc.

The music industry i believe is collapsing and being the strongest ever at the same time. I believe the industry is collapsing on producing physical copy's of albums etc. but with music being able to post online it is then available to a global audience.

Tv shows such as X Factor has a huge influence on music today, a big example of this is for the passed 9 or so years, 8 of the X Factor winners have had christmas number ones, the only year was when a major onlnie campaign started for Raise Against The Machine's heavy rock song to be number one instead of the X Factor winner, people may have hated the song but they hated how X Factor was taking over the charts and influencing what people listen to more.

Theres a saying my friend made which was something along the lines of "i never listen to radio 1 or any chart shows, i hate them. They are all the same crap, all dubstep, similar lyrics, all copies.." at the time i argued against his point, however it is true, songs are so majorly influenced by other songs its incredible.

Monday 21 March 2011

Postmodern music - Original or Authenticity Disrupted

Music has changed so much we now question whether they are original or authenticity disrupted?
Well as postmodern has taught us that nothing is original anymore, everything is a copy of a copy of a copy, segments of songs picked and tweaked to meet the artists needs, whether it be a beat or lyrics.
Dan Black is a good example of this as he has used many segements of other songs and put them together to create a song, which has then gone on the be manipulated and mixed further.

Dan Black - Symphonies  is extermely postmodern.



These days anybody can make music and call themselves original, however they are no more original than the bible, as like the bible sections are added constantly and changed. Modification of songs has became so easy that it can be done with fewer than FIVE clicks, with the use of correct hardware and software. Software like Virtual DJ allows someone to drag and drop tracks into the software and manipulate the song, whether it be by tempo or special effects, they can have two songs playing at once, known as beat mixing, where they play two songs at the same time with similar beats and tweak it up.
DJ Shadow is one of the original artists to make music, even if some of the elements of his music are taken from some original music, this is because he takes the music, makes it into his own samples and then DJ's with the samples live, instead of DJ's today who have the tracks mixed already on their laptop and all they have to do is press play.

iDaft is an application on the Internet (Web 2.0) and iPhone, it is Daft Punk's way of allowing the listeners to participate in Daft Punk's music, and edit/create their own songs, using elements of Daft Punk's 'Harder Better Faster Strong' & 'Technologic', it allows the listeners to feel like they are apart of Daft Punk and participate in creating music.
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Web 2.0 is a website that allows users to interact fully. An example of this is iDaft.

Tuesday 15 March 2011

In what ways can Inglourious Basterds and Fight Club be considered postmodern?

Inglourious Basterds and Fight club are both postmodern film's, this is proved in many ways; whether it be the intertextual references, Tarantino's foot fetish or Tyler Durden's IKEA catalogued apartment, In this essay i will be identifying intertextual  references and other elements which make both movies, postmodern.

Inglourious Basterds is one of many of Quentin Tarantino's masterpieces as a director, grossing $320,351,773 in theatres worldwide. It is a film about the Americans putting together a secret mission to assassinate Adolf Hitler, the assasinators is a group of Jewish Americans, so in itself is a fairytale because Adolf Hitler reportedly commited suicide with a gun to the head, so with Jewish people in the movie killing Hitler, it is some what ironic as one of Adolf Hitler's policies was to get rid of all Jewish people due to them taking over the German nation and jobs etc. and then in the film he is murdered by them, in addition the Jewish soldiers also being American is just the cherry on top as it then portrays the Americans as the hero's of the world war 2, which in fact they weren'. The World War 2 and Hitlers death is what Jean-francois Lyotard would call a gran narrative.
In addition to the fairytale element mentioned above, Inglourious Basterds starts with "Once upon a time.." and ends in the woods, which is a renowned for being major elements of fairytales. Throughout the film the characters remain remarkably composed and clean, despite killing and being thrown around, also relating to the fairytale story. Inglourious Basterds works on a film logic. It doesn't make sense logically, however in the film it does.

Quentin Tarantino's foot fetish has been introduced to many of his movies; Kill Bill volumes, Pulp Fiction, The Girls of Death Proof and of course Inglourious Basterds when Christoph Waltz puts the shoe on the female actress it is including his foot fetish and also adding the fairytale of introducing a Cinderella element to the film. Tarantinos Foot fetish itself is postmodern, as you don't often see a scene centered on feet in movies whereas in his movies you get them a lot, also with people not liking feet becoming a popular thing it puts the audience on edge and makes them think how unusual it is, and how you wouldn't believe it would work however it does, therefore benig postmodern.

Inglourious Basterds has a number of intertextual references, including; The Battleship Potemkia with the Odessa steps sequence which is also referred twice in Nations Pride with the shot in the eye and the baby in a pram across the town square, in addition Nations Pride is also a intertextual reference being a film within a film, The Good The Bad The Ugly with the camera work and with it being a spaghetti western and within Inglourious Basterds the British officer makes a reference to the film 'White hell of pitz palu'.

Most movies and directors like to have a set and stick to that set, in Inglourious Basterds, Tarantino decides to introduce a birds eye view shot revealing the set, self reflexive - it shows that the film is a construction and therefore not real, this is a postmodern element. Where as some directors want the audiences to be endured by the film and feel like they are apart of the movie, Tarantino has used a camera shot to make sure they audience know they are in fact at the theatre watching a movie.

The acting in Inglourious Basterds is slightly over the top and could be viewed as 'parodic', as in it is more set for a stage on Broadway instead of a screen over the world or in the comfort of your home.
Aldo Raine, played by Brad Pitt is a southern American who comes across as a 'guy with demands' i say this because he requests a hundred skullcaps from the Jews participating in the mission, in addition the way he is portrayed verbally is different, he talks slow and yet loud, as if he wants his words to be heard and taken in.
Mike Myers, a renowned comedy actor takes the part of a British Colonel. For me, I believe Mike Myers shouldn't of been casted in this movie, globally he is known for roles such as Austin Powers where it is all abut humour, in the Inglourious Basterds role he has to play a 'mature' British Colonel and it just doesn't suit the part, however this would only be if you have seen him in previous films, other than that he plays the part very well.
Christoph Waltz played the role of Hans Landa and won an award for his performance, and i must say an award he truly deserved. His acting in his role was inspiring and invigorating and really draw the audience into the film.
Adolf Hitler was shown like a little school boy in the movie, the way he acted "Nein! Nein! Nein!" because he didn't get what he wanted and the way he dressed with his little cape. However, you cannot portray Adolf Hitler in any other way in a movie else you would get bad reviews, for example, if Adolf Hitler was the hero the film would probably fail.

The Violence in Inglourious Basterds is so violent it is some what comical. It is as if they are killing for fun, which they are, and Tarantino does not shy away from showing it, for example, early in the film when Eli Roth (Sgt. Donny Donowitz) hits the head of a German soldier with a baseball bat and does commentary along side it.

Fight Club is a popular David Fincher movie which grossed over $100,853,753 worldwide. It to casted Brad Pitt and became a must see movie before you die. The film is about a character played by Ed Norton who is having trouble with his day to day life, he attends social meetings and hates his job, until he meets Tyler Durden played by Brad Pitt, which introduces a soap seller who is buffed out with muscle and a trendy hair cut, everything Ed Norton's character is not.The film goes on to Tyler Durden and Ed Nortons character starting a Fight Club for men, which then goes global and they start performing terrorist tasks/homework assignments, although it may sound bad, Tyler Durden had planned it well that what he was doing was sending a message and restarting everybody fresh, for example, threatening to kill a supermarket owner because he is running a store and not doing what he wanted to do which was a vet, Tyler does this do scare him, and he scares him so much that we, the audience are lead to believe that, that store owner will now become a vet and live his life how he always wanted to. Fight Club doesn't try to be real but by including the elements and effects that it does, then it is realistic. The film is about what we tolerate as realistic/realism.

A major element within Fight Club that is postmodern and cannot be missed is the IKEA catalogue scene where everything in Ed Nortons apartment is shown to be labelled and priced, similar to an advert. This links to the materialism evident in the early part of the film where he believes that his possessions make him who he is, where as Tyler Durden disagrees later in the film and we find out he blows up Ed Nortons apartment to prove that point. "What you own ends up owning you".

Throughout the film we the audience get quick glimpses of subliminal messages of penis' which links into what Tyler Durden does when he is not making soap, he puts subliminal messages into children's movies, so in fact it looks like Tyler Durden has put a subliminal message within Fight Club throughout, therefore being self reflexive. Before we even meet Tyler Durden we catch subliminal messages of him, which at the time dose not connect with the audience until we meet him.

"Everything is a copy of a copy of a copy" is the famous quote of the movie, and links in well what Jacques Derrida proposed that 'a text cannot belong to no genre, it cannot be without... a genre. Every text participates in one or several genres, there is no genreless text'. The quote is also true, movies such as Kick Ass has took elements from films such as Spider Man and Superman to make that film, and Scott Pilgrim Vs. The World has took video game elements and introduced them into the film.

Breaking the 4th wall happens twice within the film; once with Ed Norton's character when he tells the audience about the 'cigarette burns' on the screen, and secondly, when Brad Pitt talks directly into the camera with the background shaking. It lets the audience know that they are watching a film, similar to Inglourious Bastards and Tarantino's Set show. This is a very postmodern element, breaking he fourth wall, and addressing the audience, it is in a way a personal message to them notifying them that they are watching a movie and that it's all acted and not real.


The Violence in Fight Club is very gory, bloody and hard to watch, but yet realistic, it has to be due to the title of the film 'FIGHT club' so you audience should expect fights and blood. The sounds of the violence is realistic to a certain degree, the punches sound realistic and when the head is hitting the concrete ground it sounds what you would think it should sound like, however you know as a audience there would have been some sound tweaking. Visually the violence looks real, we see blood, cuts and bruises which we would expect to see during and after a fight.


There is little to no intertextual references in Fight Club, only when Tyler Durden  says "Run Forrest Run" to the supermarket owner, in reference to Forrest Gump.

The Narrative has been on the version of reality of an unreliable narrator as it is all in Ed Nortons mind. We as a audience are asked "what was the point?" Yes, the film was working throughout with the audience thinking Tyler Durden and Ed Norton's character was two different people, but then at the end when we find out they are both the same person and Brad Pitt is just a spec of Ed Nortons mind we have to rewind and rewatch/restudy the film and then we go "Oh".


The Casting of Brad Pitt is important because he is a major Hollywood star with the Ab's and the cool hair style and yet in the movie his character is questioning Hollywood, mentioning Calvin Klein, models, Ikea etc.


The Postmodern punch line for the movie is that you can be ordinary and still achieve great success, even if it is criminal and wrong.

(1819 words)

Wednesday 9 March 2011

Kickass 2?

Kickass 2? Not quite but i noticed a lot of elements in this trailer which i seemed related to Kick Ass, for instance, the thought of an average joe becoming a super hero, then the super hero having a young side kick, i related that to Big Daddy and Hit Girl. I thought i would share this anyway.




Monday 28 February 2011

Why 'Scott Pilgrim' Failed?

From what i have read on the Internet from researching Scott Pilgrim Vs. The World, the film failed on many levels, they included:

The Movie supposedly being targeted to a "geeky" audience yet, not attracting a "geeky" Audience. The movie is lead to be a geeky movie due to the included elements of video games, whether it be the music, the effects or the storyline. Whereas stereotypically only geeks play video games, whether they are 'hardcore' geeks or 'softcore' geeks. Hardcore geeks being ones who read comic books and play every video game even if it is a pathetic excuse for a game, in comparison to a softcore geek who plays video games such as highly populated "call of duty" these days, where you get to kill your friends and abuse Americans.
Hardcore geeks play to satisfy themselves and achieve something from the experience whereas softcore geeks play to humiliated the opposition because they think its a 'cool' thing to do.

As i was saying, Scott Pilgrim was targeted at geeks due to the elements included, however Scott Pilgrim was not a geeky film. Yes it included geeky elements as video games and sounds etc. but the cast and cast background was not geeky.
The characters are in there low twenty's and are low lives, who slum it out and take life for a ride, no real jobs, no real commitments and no real aspirations. Also the characters are in a band, whereas in the real word you rarely see geeks in the band, in fact you rarely see geeks without their nose's in a book.

Geeks today are represented and labelled differently to what they really are. To come across as a geek today all you have to do is to button up your top button on your shirt, wear a tie and glasses, and the occasional comb over, yes this may represent how some geeks may look, but its the way a real geek acts that makes a geek; studying 24/7, staying in their homes the entire time, one or two friends etc. In addition, most if not all geeks dress to represent as not being a geek, so they try to dress in a 'normal' way, which also makes them kind of geeky because they have to try to be normal whereas most the world just are. But what is normal?
whereas the normal people try to be geeks to come across as geeks which in fact makes them not a geek, which is a simulacra and a hypertextuality, because you cant become a geek within minutes and addition of a few props to your clothing style.
In conclusion, the geeks the movie was target ted at, didn't believe the film really attracted to them, which then left the film with a very very slim audience.

Audiences like to go to movies to escape from their real life for a hour or two, to get into a movie and feel apart of the movie and be able to relate to a movie. In Scott Pilgrim, you could not relate to the movie much, only if your a twenty-so loser with two potential girlfriends. I understand the movie is a fiction story with the elements of super powers and comic representations, but even the geeks disagreed and could not connect with the movie and/or the storyline.

Scott Pilgrim Vs. The World grossed $10 million in its first week which was no-where near breaking even on their budget of $60 million, whereas a film like kick-ass had a budget of only $25 million and grossed back a staggering $96 million. Both films similar in a way as of both coming from comic books, however kick-ass was known to work more because it was more realistic and people could follow without having the understand the intertextuality of other superheroes, whereas with Scott Pilgrim you must have a slight implication of old video games and elements within the film, such as the life bar from video games and running elbows high with a strange visualised background to make it look like the character was running very fast. If you did not understand the elements that Scott Pilgrim involved then you would have difficulty liking the film, however even if you did understand all the elements you may still not like the film.

Kick-ass Music Comparison

The music used in Kick-ass is some what unusually adapted to the movie. Whereas Kick-Ass is a quirky postmodern film in the way how it presented in the movie, a pastiche, because the movie is using and exposing elements from other movies such as superman and spiderman to put a plot together for Kick-Ass. Kick-ass soundtracks used within, work against the movie in the way that the music used has been used in previous text's such as 28 days later and Requiem for a dream, therefore taking the audiences' mind over to that film instead of concentrating on Kick-Ass, that is if they have heard the song in previous text's.





Same song if not tweaked slightly.



Wednesday 16 February 2011

Fight Club Research

Fight Club (1999)
Director - David Fincher
Running Time - 139 Minutes
Budget - $63 Million
Gross Revenue - $100,853,753 (Worldwide)

Main Characters
Edward Norton - Unnamed character (The Narrator)
Brad Pitt - Tyler Durden
Helena Bonham-Carter - Marla Singer

Music by 'The Dust Brothers'

An office employee and a soap salesman build a global organization to help vent male aggression.



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 Fight Club Movie Trailer


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David Fincher

Born: David Leo Fincher
August 28, 1962 in Denver, Colorado, USA

Nominated for 2 Oscars. Another 19 wins & 24 nominations.


Filmography
  • Alien 3
  • Se7en
  • The Game
  • Panic Room
  • Zodiac
  • The Curious case of Benjamin Button
  • The Social Network
  • And more
The films above are the most popular films of his to go mainstream. Three of the films above include the actor Brad Pitt. This could be because the actor and Fincher work well together or because Brad Pitt fit's the roles well.

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The Dust Brothers

The Dust Brothers are the Los Angeles, California based, Grammy Award winning producers, E.Z. Mike (Michael Simpson) and King Gizmo (John King), famous for their sample-based music in the 1980s and 1990s, and specifically for their work on the albums Paul's Boutique by the Beastie Boys, Odelay by Beck, and the soundtrack to the film Fight Club.

Michael Simpson and John King, aka The Dust Brothers, have used technology and an encyclopedic knowledge of music to carve out a niche for themselves in the music business. As one of the hottest producer teams in the industry, nearly all their collaborations have been commercial and critical successes, adding to their growing collection of gold and platinum records.

Using a Macintosh-based recording system that lets them record directly to their hard drives, the duo's cut-and-paste style continues to push the boundaries of music in general and hip hop in particular. Their producing talents put them atop the A-list for bands looking for a remix of their music.

Starting in the mid-'80s as college DJs hosting the first all-rap radio show in Southern California, Simpson and King quickly found themselves producing music for Delicious Vinyl, the record label of acts like Tone-Loc and Young MC. An unexpected studio visit from the Beastie Boys resulted in one of the most influential rap records of all time: Paul's Boutique. Pioneering the use of digital samples, the music collages on that album mixed rich soundscapes and funky beats from hundreds of different records, giving the album a historic scope that's still being copied.

As rap became increasingly corporate and more formulaic, the Dust Brothers moved on to acts more suited to their edgy and diverse interests. Collaborating closely with Beck, the duo helped the folk-hipster create Odelay, a quirky album that quickly found its way onto music critics "best of '96" lists.

Since then, they've moved on to more mainstream projects, like teen sensations Hanson with their number one single "MMM Bop" and the first singles from the new Rolling Stones album, while continuing to find time for less commercial projects. Currently, they're working with Primus on a soundtrack for a movie called Orgasmo, talking with Marilyn Manson about the next disc from goth's clown prince, and still trying to release a disc of their own music.

Blaxploitation

Blaxploitation is a film genre that emerged in the United States circa 1971 when many exploitation films were made specifically (and perhaps exclusively) for an audience of urban black people; the word itself is a combination of the words "black" and "exploitation"

Blaxploitation films were the first to feature soundtracks of funk and soul music. These films starred primarily black actors.Variety magazine credited Sweet Sweetback's Baadasssss Song, released in 1971, with the invention of the blaxploitation genre. Others argue that the Hollywood-financed film Shaft, also released in 1971, is closer to being blaxploitation, and thus is more likely to have begun the genre.

When set in the Northeast or West Coast of the U.S., Blaxploitation films tend to take place in the ghetto, dealing with hit men, drug dealers and pimps. The genre frequently takes place in an atmosphere of crime and drug-dealing. Ethnic slurs against whites (e.g., "white trash"), and negative white characters like corrupt cops, politicians, prostitutes and gullible gangsters were common. Blaxploitation films set in the South often take place on a plantation, dealing with slavery and miscegenation.





The Trailers above are perfect examples of Blaxploitation films, the cast of the film are majority black of have an ethnic race, in addition the music in the trailers are 'bow chika wow wow' type of music.



Inglourious Basterds + Quentin Tarantino Research


Inglourious Basterds

Inglourious Basterds is a 2009 war film written and directed by Quentin Tarantino and starring Brad Pitt, Mélanie Laurent, Christoph Waltz, Eli Roth and Diane Kruger. The film tells the fictional story of two plots to assassinate the Nazi Germany political leadership, one planned by a young French Jewish cinema proprietor (Laurent), and the other by a team of Jewish Allied soldiers led by First Lieutenant Aldo Raine (Pitt).


The film was successful at the box office, grossing $320,351,773 in theaters worldwide, making it Tarantino's highest-grossing film to date. It has received multiple awards and nominations, including eight Academy Award nominations. For his role as Hans Landa, Christoph Waltz won the Best Actor Award at the Cannes Film Festival, as well as the BAFTA Award, Golden Globe and the Academy Award for Best Supporting Actor.

Soundtrack

The opening theme is taken from the folk ballad "The Green Leaves of Summer", which was composed by Dimitri Tiomkin and Paul Francis Webster for the opening of the 1960 film The Alamo.The soundtrack uses a variety of music genres, including spaghetti western, R&B and David Bowie's theme from the 1982 film Cat People. This is the first of Tarantino's soundtracks that does not include dialogue excerpts from the film. The soundtrack was released on August 18, 2009.



Track Listing includes:
  1. "The Green Leaves of Summer" - Nick Perito (Originally in The Alamo)
  2. "The Verdict (La Condanna)" - Ennio Morricone (mislabled "Dopo la condanna")
  3. "White Lightning (Main Title)" - Charles Bernstein (Originally in White Lightning)
  4. "Slaughter" - Billy Preston (Originally in Slaughter)
  5. "The Surrender (La resa)" - Ennio Morricone
  6. "One Silver Dollar (Un Dollaro Bucato)" - Gianni Ferrio
  7. "Davon geht die Welt nicht unter" - Zarah Leander
  8. "The Man with the Big Sombrero" - Samantha Shelton & Michael Andrew
  9. "Ich wollt, ich wär ein Huhn" - Lilian Harvey & Willy Fritsch
  10. "Main Theme from Dark of the Sun" - Jacques Loussier
  11. "Cat People (Putting Out Fire)" - David Bowie (Originally in Cat People)
  12. "Tiger Tank" - Lalo Schifrin (Originally in Kelly's Heroes)
  13. "Un Amico" - Ennio Morricone
  14. "Rabbia e Tarantella" - Ennio Morricone
Although Tarantino used music that had been used in other action movies such as Cat People, The Alamo, White Lightening and Slaughter etc. they work well with the movie because of the similar genre they withhold, action.

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Quentin Taratino


Tarantino has had an outstanding impact on the film and media industry, whether it be from acting, writing, producing or directing.
He has acted in 27 Titles.Wrote 18 Titles, Produced 20 Titles and Directed 15 Titles.
Although the numbers may only be in the lower half of the double figures, Tarantino likes to put 150% of his body and mind into a production, whether it take two years or ten years.

Tarantino is best known for films such as;
  • Pulp Fiction
  • Inglourious Basterds
  • Reservoir Dogs
  • Kill Bill 1 & 2
  • Sin City
  • Grindhouse/Death Proof (least favourite of his career, according to people i have asked who have seen it)
  • True Romance (writer)
  • Natural Born Killers (writer)
  • Hostel 1 & 2 (producer)





The Clip Above is a compilation of Tarantino's Movies. (note this was made in 2007)



Even though the clip above may seem irrelevant, it goes to show perhaps why Tarantino makes and produces such movies with action and violence, as the clip above shows Tarantino having a short fuse.

Tarantino's Foot Fetish.

It has came to the media audiences mind that Tarantino has a foot fetish, this has devloped throughout his movies. Quentin Tarantino always try's to add the element of feet into his movies, and sometimes pays off.







Tarantino Sum-up



He Like's Action & Feet.

Wednesday 9 February 2011

Inglourious Basterds/Kick-Ass

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Source of findings for below


One of the most significant aspects of postmodernism in this regard is the use of pastiche to other media texts and the inclusion/alteration historical facts, within a piece of media. This can be seen in Inglourious Basterds, a film based around the time and events of World War II, however the events within the film are almost completely fictional, for example Adolf Hitler died by committing suicide as it became apparent the war was lost, in this film he is killed in a suicide mission (arranged by the ‘Basterds’, a military unit fighting against the Nazis) in which a Jewish cinema owner hosts the premiere for a new Nazi propaganda film, then sets the cinema on fire, killing Hitler. Although entirely fictional, the overall presentation of the film would imply it is a reflection of real-life events. Postmodern texts frequently blur the lines between real life and the reality presented within the text, the audience willingly accept this regardless of the fact the film is clearly artificial, and often hints towards this using narrative devices such as splitting the film into chapters, a convention normally seen within children’s fairy tales, used here for a completely different reason. This historical inaccuracy may be controversial as the film isn’t a ‘real’ war film in terms of the plot it portrays, and because it may be seen as disrespectful to war veterans due to the way in which the film represents war in a humorous way. ‘Inglourious’ contains multiple scenes of extreme violence to the point of being gratuitous, showing the film doesn’t take itself seriously despite being based around extremely serious real-world events, this glorifies a violent approach, even representing the ‘good guy’ Basterds as thuggish, as is seen when they are ordered to collect scalps from every Nazi they kill. This could cause controversy as the Basterds are a group of Jewish soldiers, which are represented as the heroes of the film against the Nazis, yet are still shown to be violent, as if to advocate violence as being the ‘right’ thing to do. Inglourious Basterds is directed by Quentin Tarantino, who is known for producing postmodern films such as Reservoir Dogs, Kill Bill, and Pulp Fiction. These films, together with Inglourious, have attracted controversy over the amount of creativity or original thought which has gone into the creation of each film. A characteristic of postmodernism is the heavy use of influences, or direct lifting of elements from other media texts. Inglourious Basterds doesn’t have a specially composed soundtrack, but lifts music from other films and artists, for instance a David Bowie track entitled “Cat People (Putting Out Fire)” is used as background music in the scenes leading up to the Basterd’s plan to burn down the cinema.
The selection of music is not only controversial in the use of others’ work, but also because the music used doesn’t fit the time period; Cat People was released in 1982, but is being used as a soundtrack to a World War 2 film.


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My View

Taratino's Inglourious Basterds is a paradox as it contradicts the way Adolf Hitler died, whereas in the movie he was murdered by the 'Basterds' with the unknown assistance of the cinema owner (Shosanna Dreyfus) and her assistant (Jacky Ido), in comparison to real life historic story that Adolf Hitler committed suicide when figuring out he was losing the war.
Whereas the music from other war films in inglourious basterds worked well because war when you hear a soudntrack from a war film you may also think of a different film which takes your mind of the current film, however because it is in the same genre it works because in war movies their is always a battle/war in commence. In kick-ass the soundtrack seemed to work against the film because when you heard the 28 days later soundtrack even though the soundtrack may have fitted the scene and worked, it therefore did not work as it made the audience who have seen 28 days later think of that specific film, therefore taking the audience's mind onto another film.

Kick-Ass Soundtrack Criticism

World War Two Timeline



Monday 7 February 2011

What is Postmodernism?

Postmodernism is difficult to define, because to define it would violate the postmodernists premise that no definite terms, boundaries, or absolute truths exist. In this article, the term postmodernism will remain vague, since those who claim to be postmodernists have varying beliefs and opinions on issues. Postmodernism is a concept applied in media texts which suggests that artists and audiences are now prepared to accept a media text may not be true to reality, and the techniques used to make this departure from realism.


Tuesday 1 February 2011

Further Criticisms Of Postmodernism

Rosenau (1993) Rosenau identifies seven contradictions in Postmodernism:

1. Its anti-theoretical position is essentially a theoretical stand.
2. While Postmodernism stresses the irrational, instruments of reason are freely employed to advance its perspective.
3. The Postmodern prescription to focus on the marginal is itself an evaluative emphasis of precisely the sort that it otherwise attacks.
4. Postmodernism stress intertextuality but often treats text in isolation.
5. By adamently rejecting modern criteria for assessing theory, Postmodernists cannot argue that there are no valid criteria for judgment.
6. Postmodernism criticizes the inconsistency of modernism, but refuses to be held to norms of consistency itself.
7. Postmodernists contradict themselves by relinquishing truth claims in their own writings.

Yet More Criticism Of Postmodernism

Schematic Differences between
Modernism and Postmodernism
Modernism
Postmodernism
romanticism/symbolism
paraphysics/Dadaism
purpose
play
design
chance
hierarchy
anarchy
matery, logos
exhaustion, silence
art object, finished word
process, performance
distance
participation
creation, totalization
deconstruction
synthesis
antithesis
presence
absence
centering
dispersal
genre, boundary
text, intertext
semantics
rhetoric
paradigm
syntagm
hypotaxis
parataxis
metaphor
metonymy
selection
combination
depth
surface
interpretation
against interpretation
reading
misreading
signified
signifier
lisible (readerly)
scriptible
narrative
anti-narrative
grande histoire
petite histoire
master code
idiolect
symptom
desire
type
mutant
genital, phallic
polymorphous
paranoia
schizophrenia
origin, cause
difference-difference
God the Father
The Holy Ghost
Metaphysics
irony
determinacy
indeterminacy
transcendence
immanence

(SOURCE: Hassan "The Culture of Postmodernism" Theory, Culture, and Society, V 2 1985, 123-4.)